Report date: Nov 6,2024 Conflict count: 361874 Publisher: Indiana University Press Title count: 21 Conflict count: 317 ========================================================== Created: 2023-04-14 14:25:45 ConfID: 6790759 CauseID: 1569489236 OtherID: 1461821132 JT: Film History MD: Skopal,31,1,27,2019,Going to the Cinema as a Czech: Preferences and Practices of Czech Cinemagoers in the Occupied City of Brno, 1939–1945 DOI: 10.2979/filmhistory.31.1.0027(Journal) (6790759-N) DOI: 10.2979/filmhistory.31.1.02(Journal) ========================================================== Created: 2023-04-14 14:25:45 ConfID: 6790758 CauseID: 1569489236 OtherID: 1461821126 JT: Film History MD: Griffiths,31,1,1,2019,Quantifying an “Essential Social Habit”: The Entertainments Tax and Cinemagoing in Britain, 1916–1934 DOI: 10.2979/filmhistory.31.1.0001(Journal) (6790758-N) DOI: 10.2979/filmhistory.31.1.01(Journal) ========================================================== Created: 2023-04-14 14:25:45 ConfID: 6790761 CauseID: 1569489236 OtherID: 1461821133 JT: Film History MD: Marques,31,1,102,2019,Old Corporate Films and Former Factory Workers: Film Reception as Social Memory DOI: 10.2979/filmhistory.31.1.0102(Journal) (6790761-N) DOI: 10.2979/filmhistory.31.1.05(Journal) ========================================================== Created: 2023-04-14 14:25:45 ConfID: 6790760 CauseID: 1569489236 OtherID: 1461821130 JT: Film History MD: Wallin,31,1,81,2019,“Pictures Seem to Run in Cycles”: Industry Discourse and the Economics of Film Cycles in Classical Hollywood DOI: 10.2979/filmhistory.31.1.0081(Journal) (6790760-N) DOI: 10.2979/filmhistory.31.1.04(Journal) ========================================================== Created: 2023-10-11 15:30:47 ConfID: 6953786 CauseID: 1592621322 OtherID: 1589441413 JT: Film History MD: Opp,34,4,1,2022,Still Photographs, Publicity, and the Making of Cecil B. DeMille's Ten Commandments (1956) DOI: 10.2979/fih.2022.a900040(Journal) (6953786-N) DOI: 10.2979/filmhistory.34.4.01(Journal) ========================================================== Created: 2023-10-11 15:30:47 ConfID: 6953785 CauseID: 1592621322 OtherID: 1589441413 JT: Film History MD: ,34,4,126,2022,Recent Books in Film History DOI: 10.2979/fih.2022.a900045(Journal) (6953785-N) DOI: 10.2979/filmhistory.34.4.06(Journal) ========================================================== Created: 2023-10-11 15:30:47 ConfID: 6953779 CauseID: 1592621322 OtherID: 1589441413 JT: Film History MD: Ksenofontova,34,4,109,2022,Sergei Eisenstein's "The Form of the Script": A New Translation DOI: 10.2979/fih.2022.a900044(Journal) (6953779-N) DOI: 10.2979/filmhistory.34.4.05(Journal) ========================================================== Created: 2023-10-11 15:30:47 ConfID: 6953782 CauseID: 1592621322 OtherID: 1589441413 JT: Film History MD: Brennan,34,4,83,2022,Gotham Book Mart's Spring 1938 Film File Catalog DOI: 10.2979/fih.2022.a900043(Journal) (6953782-N) DOI: 10.2979/filmhistory.34.4.04(Journal) ========================================================== Created: 2023-10-11 15:30:47 ConfID: 6953780 CauseID: 1592621322 OtherID: 1589441413 JT: Film History MD: Benjamin,34,4,59,2022,Writing in Sound: Frances Marion at MGM, 1925–1933 DOI: 10.2979/fih.2022.a900042(Journal) (6953780-N) DOI: 10.2979/filmhistory.34.4.03(Journal) ========================================================== Created: 2023-10-11 15:30:47 ConfID: 6953781 CauseID: 1592621322 OtherID: 1589441413 JT: Film History MD: Lundén,34,4,30,2022,The Most Famous Costume Designer: Reviewing Edith Head's Career through a Contractual Lens DOI: 10.2979/fih.2022.a900041(Journal) (6953781-N) DOI: 10.2979/filmhistory.34.4.02(Journal)