Report date: Apr 30, 2024 Conflict count: 350192 Publisher: Lviv National Music Academy named after Mykola Lysenko Title count: 3 Conflict count: 22 ========================================================== Created: 2021-02-09 07:21:27.0 ConfID: 5950695 CauseID: 1488869627 OtherID: 1439297358, 1488869627 JT: Ethnomusic MD: Dobrianska, 14 ,1,9,2018,About realization of the first stage of development of the fundamental problem “Folk music of Halychyna and Volodymyria”: innovative activity of the Research Scientific Laboratory of Musical Ethnology 1990s–early 2000s. DOI: 10.33398/2523-4846-2018-14-1-9-46(Journal) (5950695-N ) DOI: 10.33398/2523-4846-2018-14-9-46(Journal) ========================================================== Created: 2021-02-09 07:21:27.0 ConfID: 5950696 CauseID: 1488869627 OtherID: 1439297358, 1488869627 JT: Ethnomusic MD: Suprun-Yaremko, 14 ,1,47,2018,Kuban Ukrainian-Cossack Wedding: Songs & Ceremonial, structural analysis DOI: 10.33398/2523-4846-2018-14-1-47-73(Journal) (5950696-N ) DOI: 10.33398/2523-4846-2018-14-47-73(Journal) ========================================================== Created: 2021-02-09 07:21:27.0 ConfID: 5950697 CauseID: 1488869627 OtherID: 1439297358, 1488869627 JT: Ethnomusic MD: Danilovich, 14 ,1,74,2018,Calendar-song tradition of Middle Shchara in the context of the ethnographical borderland DOI: 10.33398/2523-4846-2018-14-1-74-103(Journal) (5950697-N ) DOI: 10.33398/2523-4846-2018-14-74-86(Journal) ========================================================== Created: 2021-02-09 07:21:27.0 ConfID: 5950721 CauseID: 1488869627 OtherID: 1488862256 JT: Ethnomusic MD: Yarmola, 14 ,1,104,2018,Ergology of Western Polissian folk reed pipes DOI: 10.33398/2523-4846-2018-14-1-104-131(Journal) (5950721-N ) DOI: 10.33398/2523-4846-2018-14-104-131(Journal) ========================================================== Created: 2021-02-09 07:21:27.0 ConfID: 5950722 CauseID: 1488869627 OtherID: 1488862256 JT: Ethnomusic MD: Yaremko, 14 ,1,132,2018,The artistic background of Demyan Lyndyuks'' (''Popychyn'') - representa- tive of Kosmach fiddle tradition DOI: 10.33398/2523-4846-2018-14-1-132-141(Journal) (5950722-N ) DOI: 10.33398/2523-4846-2018-14-132-141(Journal) ========================================================== Created: 2021-02-09 07:21:27.0 ConfID: 5950723 CauseID: 1488869627 OtherID: 1488862256 JT: Ethnomusic MD: Pavliv, 14 ,1,142,2018,A comparative analysis of “Hutsulka” in the performing interpretations by two violinists representing the tradition of the Kosmach-Brusturiv areal DOI: 10.33398/2523-4846-2018-14-1-142-177(Journal) (5950723-N ) DOI: 10.33398/2523-4846-2018-14-142-177(Journal) ========================================================== Created: 2022-12-12 18:08:57.0 ConfID: 6684168 CauseID: 1554031345 OtherID: 1554024432 JT: Ethnomusic MD: Bolya, 18 ,1,65,2022,AI-SUPPORTED PROCESSING OF HANDWRITTEN TRANSCRIPTIONS FOR HUNGARIAN FOLK SONGS IN A DIGITAL ENVIRONMENT DOI: 10.33398/2523-4846-2022-18-2-65-82(Journal) (6684168-N ) DOI: 10.33398/2523-4846-2022-18-1-65-82(Journal) ========================================================== Created: 2022-12-12 18:08:57.0 ConfID: 6684169 CauseID: 1554031345 OtherID: 1554024432 JT: Ethnomusic MD: Dobrianska, 18 ,1,147,2022,Protocol of discussion of open lessons by Volodymyr Hoshovsky DOI: 10.33398/2523-4846-2022-18-1-147-146(Journal) (6684169-N ) DOI: 10.33398/2523-4846-2022-18-1-147-161(Journal)